Research Papers

(written by Sita Popat, with additional authors where indicated)

Introduction - A brief introduction to the research, including hypothesis.
Theoretical Perspectives - Chapter 1 - An outline of the theoretical perspectives behind the study and their relationship to the 'live' method of devising choreography.
Contexts - Chapter 2 - A review of some existing Web sites which combine dance and interactivity, and details of other research work which has led to the creation of this site.
Bibliography - Bibliography of references and further reading material for this study.

Interactive Dance-Making: Online Creative Collaborations, Digital Creativity, Vol.12 No.4, December 2001, pp.205-214
Hands-On Dance Project: Creative Dance Collaborations Online (with J. Smith-Autard) - published in CADE 2001 conference proceedings, Glasgow, Scotland, 9-12 April 2001 pp.306-310
Interactive Awakenings: Heightening Consciousness of the Dance Artwork for Artist and Audience Member - published in Consciousness Reframed III: Art and Consciousness in the Post Biological Era, Proceedings of the Third International Research Conference at the Centre for Advanced Inquiry in the Interactive Arts, University of Wales College, Newport, August 2000 (no page numbers)
Interactive Composition: Sharing the Creative Process on the Internet (with K. Ng, K. Popat & J. Smith-Autard) - published in the Proceedings for the International Computer Music Conference, Berlin, August 2000.

If you have any further questions please email Sita: pcusp@leeds.ac.uk