Bibliography for the Development of the Hands-On Dance Project


 
 
 

Books and Articles


Abbott, T., ed., Internet Worlds On Internet í94, (USA: Mecklermedia, 1994)

Abbs, P., The Pattern of Art-Making, in ed. by P. Abbs, The Symbolic Order:  A Contemporary Reader on the Arts Debate,  (London: Falmer Press, 1989)

Adams, L. S., The Methodologies of Art: An Introduction, (Harper Collins,  1996)

Arnheim, R., Art and Visual Perception: A Psychology of the Creative Eye, (London: Faber & Faber Ltd, 1967)

Banes, Sally, Terpsichore in Sneakers, (Connecticut: Wesleyan University  Press, 1987)

Benedikt, M., Cyberspace: First Steps, (MA.: MIT Press, 1991)

Berlo, D. K., The Process of Communication: An Introduction to Theory and  Practice, (Holt, Rinehart & Winston Inc., 1960)

Best, D., The Rationality of Feeling: Understanding the Arts in Education, (London: Falmer Press, 1992)

Best, D., Feeling and Reason in the Arts, (Allen & Unwin, 1985)

Birringer, J., Media and Performance: Along the Border, (Baltimore: Johns Hopkins University Press, 1998)

Blom, Lynne Ann and L. Tarin Chaplin, The Intimate Act of Choreography,  (London: Dance Books Ltd, 1989)

Boden, M., What is Creativity?, in ed. by M. Boden, Dimensions of  Creativity,  (MA: MIT Press, 1994)

Borsook, Terry K., and Nancy Higginbotham-Wheat, Interactivity: What Is  It, and What Can It Do for Computer-Based Instruction?, Educational  Technology, 31 (1991), pp. 11-17.

Brinson, Peter, Dance as Education: Towards a National Dance Culture,  (London: Falmer Press, 1991)

Butterworth, Jo, The Dancer's Contribution to the Choreographic Process:  Some Issues, in Dance '95 Move Into The Future: Proceedings of the  Dance Conference, (Bretton Hall College, West Yorkshire, 21-23 July 1996), pp. 63-71.

Castells, M., The Rise of the Network Society , (UK: Blackwell, 1996)

Cohen, S. J., Dance As A Theatre Art: Source Readings in Dance History  from 1581 to the Present, (London: Dance Books Ltd, 1977)

Cook, J., MetaMuse: A Teaching Agent for Supporting Musical Problem-Seeking and Creative Reflection, in Proceedings of the AISB '99  Symposium on Musical Creativity,  (Edinburgh College of Art & Division  of Informatics, University of Edinburgh 6-9 April 1999) pp. 89-95.

Culhane, J., Walt Disney's Fantasia, (New York: Abradale Press, 1987)

Dery, Mark, Escape Velocity: Cyberculture at the End of the Century, (New York: Grove Press, 1997)

Eagleton, Terry, Literary Theory: An Introduction, 2nd edn, (UK: Blackwell Publishers, 1996)

Eisner, E. W., Educating Artistic Vision, (New York: Macmillan Publishing  Co., 1972)

Fiske, J., Introduction to Communication Studies, 2nd edn, (UK: Routledge,  1990)

Fiske, J., Reading the Popular, (Unwin Hyman, 1989)

Foster, Susan Leigh, Reading Dancing: Bodies and Subjects in  Contemporary American Dance, (California: University of California  Press, 1986)

Furth, H. G., Piaget and Knowledge: Theoretical Foundations, (NJ: Prentice- Hall, 1969)

Gardner, H., The Creators' Patterns, in ed. by M. Boden, Dimensions of  Creativity, (MA: MIT Press, 1994)

Getzels, and Jackson, The Highly Intelligent and Highly Creative Adolescent,  (1963), in ed. by P. Vernon, Creativity, (UK: Penguin Books, 1970)

Gigliotti, C., The Aesthetics of a Virtual World: Towards an Ethic of Interactivity, (Michigan: UMI Dissertation Services, 1993)

Göranzon, B., and M. Florin, eds., Dialogue and Technology: Art and  Knowledge, (London: Springer-Verlag Berlin Heidelberg, 1991)

Hayward, P., ed., Culture, Technology and Creativity in the Late Twentieth Century, (John Libbey & Co, 1990)

Hanstein, Penelope, On The Nature of Art Making in Dance: An Artistic  Process Skills Model for the Teaching of Choreography, (Michigan: UMI  Dissertation Services, 1993)

Hilton, J., ed., New Directions in Theatre, (UK: Macmillan Press Ltd, 1993)

Hinkle-Turner, E., Coming Full Circle: Composing a Cathartic Experience with CD-ROM Technology, Leonardo Journal for the International Society
 for the Arts, Science and Technology, 32 (1999), pp. 49-52.

Jowitt, Deborah, Time and The Dancing Image, (California: University of California Press, 1988)

Kaye, N., Postmodernism and Performance, (UK: Macmillan, 1994)

Kim, and Gudykunst, Theories in Intercultural Communication, (Sage, 1988)

Kozel, Susan, The Virtual World: New Frontiers for Dance Philosophy, in ed. by J. Adshead-Lansdale, Border Tensions: Dance and Discourse, Proceedings of the Fifth Study of Dance Conference 1995, (Surrey: University of Surrey, 1995), pp. 209-218.

Kress, G., and T. Van Leeuwen, Reading Images: The Grammar of Visual Design, (London: Routledge, 1996)

Lanham, R. A., The Electronic Word: Democracy, Technology and the Arts,  (Chicargo: University of Chicargo, 1993)

Laurel, B., Computers as Theatre, (MA: Addison-Wesley, 1993)

Li, Rex, A Theory of Conceptual Intelligence: Thinking, Learning, Creativity  and Giftedness, (Westport, USA: Praeger Publishers, 1996)

Lovejoy, M., Postmodern Currents: Arts and Artists in the Age of Electronic Media, (NJ: Prentice Hall, 1997)

Mackrell, Judith, Reading Dance, (UK: Michael Joseph, 1997)

Marris, P., and Thornham, S., eds., Media Studies: A Reader, (Edinburgh:  Edinburgh University Press, 1996)

May, Rollo, The Courage to Create, (UK: Bantam Press, 1976)

McFee, Graham, Truth, Arts Education and the 'Postmodern Condition', in  ed. by D. Carr, Education, Knowledge and Truth: Beyond the Postmodern  Impasse, (London: Routledge, 1998)

McFee, Graham, Understanding Dance, (London: Routledge, 1994)

McLuhan, Marshall, Understanding Media, (London: Routledge & Kegan  Paul, 1964)

Myers, G. E., and M. T. Myers, The Dynamics of Human Communication,  (McGraw-Hill International Company, 1988)

Naugle, Lisa, Technique/Technology/Technique, Dance Research Journal,  30 (1998), pp. 13-15.

Parry, Jann, Site-Seeing Tour, Dance Now, 7(4) (1998), pp. 9-14.

Parsons, M. J., How We Understand Art , (Cambridge: Cambridge University  Press, 1987)

Perkins, D. N., Creativity: Beyond the Darwinian Paradigm, in ed. by M.  Boden, Dimensions of Creativity, (MA: MIT Press, 1994)

Poincaré, H., Mathematical Creation, (1924), in ed. by P. Vernon, Creativity,  (UK: Penguin Books, 1970)

Polyani, M., Personal Knowledge: Towards a Post-Critical Philosophy,  (London: Routledge & Kegan Paul, 1978)

Porter, D., ed., Internet Culture, (Routledge, 1977)

Povall, Richard, Technology is With Us, Dance Research Journal, 30 (1998),  pp. 1-4.

Preece, J., ed., Human-Computer Interaction, (USA: Addison-Wesley, 1994)

Reid, Louis Arnaud, The Arts Within a Concept of Plural Knowledge, in ed.  by P. Abbs, The Symbolic Order: A Contemporary Reader on the Arts  Debate, (London: Falmer Press, 1989)

Rogers, C. R., Towards a Theory of Creativity, (1954), in ed. by P.  Vernon, Creativity, (UK: Penguin Books, 1970)

Sefton-Green, J., ed., Digital Diversions: Youth Culture in the Age of  Multimedia, (USA: UCL Press, 1998)

Selnow, G. W., Using Interactive Computer to Communicate Scientific Information, American Behavioural Scientist, 32 (1988), pp. 124-135.

Shields, R., ed., Cultures of the Internet, (Sage, 1996)

Smith, A. William, Interactive Multimedia-Dance: Individual Freedom to  Control One's Own Aesthetic Experience, in the papers from Dance On '97
 Conference, (Hong Kong, 1997) pp. 198-213.

Smith, A. William, ed., Dance and Technology III: Transcending Boundaries, (USA: Fullhouse Publishing, 1995)

Smith-Autard, Jacqueline, and Jim Schofield, Resource-Based Teaching and Interactive Video, in ed. by J. Adshead-Lansdale, Border Tensions: Dance and Discourse, Proceedings of the Fifth Study of Dance Conference 1995, (Surrey: University of Surrey, 1995), pp. 277-292.

Smith-Autard Jacqueline, and Jim Schofield, Developments in Dance Pedagogy through Application of Multimedia in Interactive Video, Proceedings of Dance í95 Move Into The Future Conference, (Bretton Hall College, Yorkshire, 1995), pp. 47-60.

Smith-Autard, Jacqueline M., The Art of Dance in Education  (London: A&C  Black, 1994)

Solomon, R., and J. Solomon, eds., East Meets West in Dance, (USA:  Harwood Academic Press, 1995)

Steggell, Amanda, The Inverted Relay Race, Dance Research Journal, 30  (1998), pp. 10-13.

Tannenbaum, R. S., Theoretical Foundations of Multimedia, (NY: Computer Science Press, 1998)

Taylor, R., Educating for Art, (UK: Longman, 1986)

Thomas, Helen, Dance, Modernity and Culture, (London: Routledge, 1995)

Webster, F., Theories of the Information Society, (London: Routledge, 1995)

Wechsler, Robert, Computers and Dance: Back to the Future, Dance  Research Journal, 30 (1998), pp. 4-9.

Witkin, R., The Intelligence of Feeling, (London: Heinemann Education  Books, 1974)

Zimmermann, D., Creativity ? Simply Random?, in Proceedings of the AISB  99 Symposium on Musical Creativity, (Edinburgh College of Art &  Division of Informatics, University of Edinburgh 6-9 April 1999), pp. 103- 109.
 
 

Web Sites


Amanda Steggellís M@ggieís Love Bytes

Association for Computing Machinery

Dance and Technology Zone

Forced Entertainment's Paradise

Leonardo Journal for the Arts, Science and Technology

M.I.T.'s The Brain Opera

Richard Lordís Progressive 2

Stephan Koplowitzís Webbed Feats presents Bytes of Bryant Park

The Troika Ranch Company



Return to Hands-On Dance Project - Research